Star of Bethlehem

The Star of Bethlehem (ベツレヘムの星) was Fiamma of the Right's flying fortress.

Etymology
The is a celestial object appearing the  of the. Held as a sign of the 's birth, the star leads the to 's birthplace in.

Appearance
The fortress was approximately 40km across, and in the rough shape of a cross, with bridges extending in four directions from the castle-like center. The right wing was twice as long than the others, likely due to Fiamma of the Right being in control. Being made from pieces of churches and cathedrals across the world, the Star of Bethlehem's surface had many different buildings from various cultures and time periods,   as well as metal frames, pipes and light fixtures, possibly from the base where the initial 'space' was constructed. The mix of historical and modern structures was described as resembling somewhere from an old church. Even when assembled, the fortress's structure was still changing from moment to moment with its components shifting around.

The central 'space' constructed for the creation of the fortress was 7 kilometers long and 20 meters high, covered in snow while in the center of the Russian military base. There was a large entrance open in the wall for bringing in materials. The internal passage was similar to the inside of a Western castle, lacking decorations, made of stone and damp, with candles set on the wall at even intervals. Beyond the passage, a door led to a vast space - an area looking like a church under repair, made of old-looking stone with modern metal framework in places. A high-class chair and table, somewhat out of place with the surroundings, were positioned on some of the framework and used by Fiamma.

In the ceremonial altar (apparently a high-class one) situated in the rightmost corner of the fortress, there were several tens of thin poles surrounding the grounds, around 3cm in diameter and containing either black or white liquid. Black and white pairs of poles were placed together around the entrance.

Principles
The Star of Bethlehem is a giant flying fortress in the rough shape of a cross, constructed from hundreds of thousands of important items from churches and cathedrals across the world. Symbolizing its namesake, the star which heralded the birth of the Son of God in Christianity, it is the ceremonial site for Fiamma of the Right's Project Bethlehem.

Due to the fortress's size, there are railway tracks and carts (a monorail in the anime) for carrying people between different parts of the fortress. In case of emergencies, on the lowest level of the Star of Bethlehem, there are magical escape containers for the people inside it, which can fly out back to the ground. The escape pods look like buses. and/or telephone booths that are obviously modified in some way. There are speakers at various points across the fortress for broadcasting messages,   set at a frequency of 50.9 MHz.

There is a ceremonial altar located at the rightmost end of the fortress, which was used to summon Archangel Gabriel (in the form of Misha Kreutzev), using a method derived from Angel Fall and the residual Telesma within Sasha Kreutzev, and anchor the archangel's existence. It was designed following the Christian style with a strong, uniform focus on the element of fire (which both Fiamma and Archangel Michael were aligned to), rather than using all four elements together like many other ceremonies. The altar's location also signified the element of fire and Archangel Michael, though the mixing of attributes caused by the Distortion of the Laws of the World allowed for Gabriel to be summoned instead, in the mixed form of Misha Kreutzev. According to Sasha, the ceremony room was high class but used common spiritual items, with one exception - a staff (the staff or rod being the Symbolic Weapon of fire) which the John's Pen Remote Control was installed into, placed at the center of the room during the ceremony. Fiamma used the functionality of the remote control installed into the staff to command Misha, with the senses of the two linked. As part of the process for anchoring and maintaining the archangel's existence, there are several tens of pairs of poles containing black or white liquid, placed around the ceremonial ground and being paired together around the entrance as if drawing in energy from the outside.

Project Bethlehem
The Star of Bethlehem is the ceremonial site for Project Bethlehem (プロジェクト＝ベツレヘム), Fiamma's plan to purify and 'save' the world which he saw as distorted. Named after and symbolizing the star that prophesised the birth of the Son of God, the rise of the Star of Bethlehem was meant to signal a new beginning on Earth.

Prior to October 18th, Fiamma of the Right already possessed the Holy Right, deep knowledge of Archangel Michael, and personal resources and influence as the leader of God's Right Seat. In order to carry out Project Bethlehem, he also required the Star of Bethlehem as the ceremonial site (incorporating important items from churches and cathedrals across the world, and elements from the three major Christian denominations), the John's Pen Remote Control for access to Index's 103,000 grimoires and the knowledge within them, Sasha Kreutzev as the medium to summon Archangel Gabriel, the Lambskin Parchments containing gathered knowledge of the other archangels as well as their respective symbols and spells in order to fill in the remaining gaps in his knowledge, and finally the Imagine Breaker in order to complete the Holy Right. Fiamma instigated World War III partly to gather the materials necessary for his plan but also to draw out malice from the population, setting his enemy as the world, in order to maximize the Holy Right's available output.

The first stage of the project began with the creation and ascent of the Star of Bethlehem into the sky once all of the necessary elements for the plan were gathered. Once the Star of Bethlehem was airborne, Sasha Kreutzhev was used as a medium in a ceremony to summon Archangel Gabriel in the mixed form of Misha Kreutzev. The archangel's power to manipulate the locations of celestial bodies in the heavens was then used to change the sky to a clear night sky - with the Star of Bethlehem being the only 'star' in the sky, readying the stage for the next part of the project. In order to proceed further though, the knowledge contained within the Lambskin Parchments, concerning the other archangels besides Michael and their respective symbols and spells, was necessary.

The second stage involved correcting the balance of the four elements, which had been become twisted due to the Distortion of the Laws of the World. This large-scale spell utilized the Star of Bethlehem's symbolism, representing the star which appeared in the sky to mark the Son of God's birth. The removal of all stars from the sky, with the Star of Bethlehem left as the only 'star' in the incomplete heavens filled with Telesma, was necessary to establish the flow of power in the skies necessary for the ceremony. At this point, he had also affected the flow of power on the surface through the partial destruction of churches and cathedrals across the world which were pillaged for the Star of Bethlehem. In carrying out this ceremony, Fiamma was said to have completely monopolized three and four, the heavens and the earth, important numbers of Christian culture.

Having acquired the necessary knowledge and with the right conditions met, at Fiamma's signal, colored stars spread out across the dark sky as if drawing a veil, first yellow then red, blue and lastly green, the colors associated with the four great elements, which were returned to their proper places as those stars spread out. With the four elements reset to their proper positions, Fiamma was able to gain great power by controlling all four, via the traces of the other three carried within the element of fire which he was aligned to. It also removed the aspects of Michael from Gabriel, so that when the archangel later reemerged, it was in a pure form.

After the Holy Right was completed and materialized, the sky was dyed golden in the colors of Heaven and filled with Telesma. At the same time as the change in the heavens, a change also occurred on the earth. In response to the signal in the sky, golden arms (黄金の腕) of Telesma, with a partially open fingers, continuously rose up across the surface of the world. After reaching a height of 100m, the palms lost their shape, distorting as if clenching into a fist, and the arms explosive expanded from the ground up before bursting. When the arms burst, a destructive phenomena occurred corresponding to the elemental alignment of the Telesma, either directly of that element or derived from it (such as 30m high waves or high-voltage thunderclouds extending across the surface for kilometers). The dissemination of pure Telesma was intended to change the foundation of the world and purify the surface, though the massive amount would result in major destruction in the process (the cleaning being a disaster from a human perspective was compared to the flood from the story of ). The purification of the surface and transformation of the earth could be impeded by felling the arms before they could burst.

In the wake of the destruction caused from the golden arms, large objects produced from the Telesma were left behind, including giant golden-colored rings resembling halos, long arcs with tapered ends like ribs and river-like bundles of cloth. These materials were likely intended to be resources for rebuilding the world afterwards and described as worth more than gold, platinum or tungsten, however as they couldn't be damaged by normal human techniques and therefore couldn't be destroyed or manufactured, they were more garbage than resources. It was also noted that rather than satisfying people and solving conflict, it might have merely changed the scope of conflict as people expand their range of control if given enough resources.

Although it was based on an older format, Project Bethlehem was very similar to Aleister's Plan, enough that Aleister Crowley personally tried to eliminate Fiamma after the incident to prevent his own plan from being calculated from Fiamma's thwarted plan, with a unit also being sent to retrieve the Lambskin Parchments before they could fall into the hands of an anti-magician organization such as Necessarius. Both plans sought to change the world by preparing a temple filled with a strange power (the Star of Bethlehem and Academy City, Telesma and AIM Diffusion Fields respectively), drawing out the power of the right arm within that temple (the Holy Right and the Imagine Breaker), and readjusting the phases with that power (dying the world in the colors of Heaven for Project Bethlehem, destroying the phases entirely for Aleister's Plan). They also both made use of an angel (Archangel Gabriel for Project Bethlehem and Aiwass for Aleister's Plan). However, while Project Bethlehem was based solely on the laws of Christianity (and thus in the Aeon of Osiris), Aleister's Plan was based in the Aeon of Horus beyond it.

World War III Arc
During World War III, the required 'space' and core structure for the Star of Bethlehem was being constructed at a Russian base near the border of the Elizalina Alliance of Independent Nations.

On October 30th, having gathered the necessary elements to enact Project Bethlehem, Fiamma had the Star of Bethlehem take flight, somewhat earlier than anticipated due to the advancing Academy City ground forces. Gathering components from churches around the world, the fortress soon ascended to a height of 3 kilometers. Shortly afterwards, Fiamma summoned Archangel Gabriel in the form of Misha Kreutzev, having the angel changed the sky to a clear night sky and go after the parchments necessary to fill the gaps in his knowledge.

The Star of Bethlehem continued to rise, ascending to a height of 5 kilometers by the time of Fuse Kazakiri's arrival and 7 kilometers around the time Misha unleashed the Sweep against Accelerator, with the fortress sustaining damage from the bombardment but automatically regenerating. Many of the objects in the ceremonial altar used to anchor the angel were destroyed by Kamijou Touma and then the altar itself was damaged by an attack from Fiamma. Having obtained the knowledge he lacked, Fiamma used the Star of Bethlehem to fix the distortion of the four elements in preparation for the next stage of his plan.

As Kamijou Touma faced Fiamma, the fortress had reached an altitude of 10 kilometers. When Fiamma severed Touma's right arm and assimilated Imagine Breaker into the Holy Right, the skies turned gold with Telesma as the area around the Star of Bethlehem was dyed in the colors of Heaven. After Touma regrew his severed arm and as the fight against Fiamma continued, golden arms of Telesma emerged across the world, however their progress was impeded by various individuals. The three churches also worked together to release the joint spells on the Star of Bethlehem, using a relay point placed by Sasha and Lessar. With the output of the Holy Right declining and the heavens dyed with Telesma more than the surface, Fiamma attempted to send the mass of Telesma in the sky down towards the ground in order to regain the advantage, but it was intercepted at an altitude of 8 kilometers by the white-winged Accelerator.

When the power from Fiamma's Holy Right was lost, the Star of Bethlehem was weakened and began to collapse in places, stopping its ascent. Having lost its power source, it started to fall with its speed gradually increasing as its output fell. Remaining on the fortress, Touma destroyed specific ascent spiritual items under Stiyl's instructions in order to influence its direction of travel and descent, guiding it towards the edge of the Arctic Ocean and trying to minimize the damage caused by its eventual impact. When Archangel Gabriel reemerged and headed for the Arctic, Touma changed the fortress's trajectory in order to intercept the angel. Landing on top of Gabriel and the water, the shock of the impact destroyed the Star of Bethlehem.

Homecoming Arc
Around the time of the Radiosonde Castle incident (the object in question being made to resemble the Star of Bethlehem), the recovery and return of the parts of churches and cathedrals from across the world that had been used to construct the Star of Bethlehem was being carried out by religious organizations such as the Roman Catholic Church and the Church of England.

Design Evolution
An early draft of the Star of Bethlehem had it with a more solid and fixed appearance, though since Haimura realized that the structure is continually changing, he gave it a more destroyed and ruined look. Due to the vast scale of the structure, Haimura opted not to put too much detail on the design.